Music Monday: Philip Glass’ Glassworks: “Opening”

And now for something completely different.

Last week, I talked about the evolution of my musical tastes growing up. Truth is, I left a few things out: see, once upon a time ago, I was a musician. A singer, actually: I joined choir in grade school, discovered I had some talent, and followed that singing career to the top choirs in high school, which earned me a scholarship at Hollins University for Vocal Performance.

I was a music major.

As part of my music major, I had to take music theory and music literature courses. But one particular course combined the two: 20th Century Music. Taught by my music theory professor, Dr. Michael Sitton, I was exposed to the wide variety of musical styles and compositions that made up that century. One of my absolute favorites was minimalism, which led to the discovery of Philip Glass.

It’s been a while, but I remember Dr. Sitton describing minimalism utilizing a repeated refrain, with subtle changes during the course of the song or movement, so subtle that you don’t realize the song is changing until the very end. And to demonstrate this, he played for us “Opening” from Philip Glass’ Glassworks.

I fell in love. We’d been given list of musical compositions for our quizzes and exams, and we had to memorize pieces so thoroughly that when Dr. Sitton played just a snippet, we could identify the song immediately. Glassworks “Opening” was on that list, and trust me when I say that memorizing this piece was an absolute pleasure. It makes me wish I’d taken piano lessons long before I turned 19, because I would kill to play this.

I hope you love it as much as I still do.

Like it? Love it? Hate it? Sound off below!

Reminder: Music Monday is about the music, not the videos. Videos are just the medium I’m using to share the music, and some videos aren’t actually videos at all. Enjoy the songs, but if YouTube forces you to watch some sort of advertisement before you can get to the music, please be patient.

Writing Work Day #2

After a rather odd February, March has arrived, which means consecutive Writing Work Days will be had! For a refresher, here was the progress report from last official writing work day, and here’s the last progress report (Con Nooga doesn’t count since I wasn’t actively working on something).

So, a reminder, where am I in my official plan?

3) Use notes and questions to determine what changes need to be made to the current draft of Codename: Telepathic Soulmates. Ultimate goal: reduce word count from 132,000 to around 115,000 words, if possible. Consider:

  • Does it need a total rewrite?
  • Does it need a partial rewrite?
  • A very surgical rewrite?
  • Or just a super-hard final polish?

Deadline: tentatively, Sunday, April 5th. Deadline dependent on what kind of rewrite/polish the draft really needs.

I’d decided that in order to do this, and while waiting on feedback from my two readers, that I would go ahead and sit down and read Karen Wiesner’s First Draft in 30 Days book as a means to narrow my focus on Codename: Telepathic Soulmates, because before I start cranking out revisions, I want to make sure I know what I actually want for the novel. That way, if/when I get conflicting advice from my readers (which has happened long before now), I know what direction to lean towards.

So after some errands this morning, I settled down and did a few things differently:

1) I moved myself into my husband’s office. I thought it would be good to work in a place where I’m not used to messing around on the internet, or where I watch television, or read, or get sleepy. So that was was useful.

2) I usually listen to the Writing Excuses podcast during the week in my car, and this week was no different. However, this week some of the advice (episode 10.9: Where is My Story Coming From?) I wanted to hear again and take notes, so I think in the future, I’ll hold off listening to the podcast and start off my writing work days by listening to it. I know I’ve missed out on REALLY internalizing good advice because I’m not in a position to take notes when I listen, so this should be a positive change.

3) The BIG thing I wanted to do today was start character sketches. Now, mind you, I’ve already written this novel. The idea for character sketches is to make sure I understand at least my main three POV characters and make sure their character arcs through the book MAKE SENSE. Wiesner’s book starts with an introduction and then proceeds to glorify outlines. I’m not sold on that part yet, because I’m more of the Writing Excuses way of thinking, which is that outlining is a spectrum, and most writers do SOME form of outlining, but not necessarily the full-blown, rigid method we all think of when we hear the word “outlining.” But after all of that, the book settled down and talked about character sketches and things to fill in. Fortunately, I’d been informed that Scrivener’s 2.0 version offered these near-exact templates, so I started filling stuff in for my three POV characters. I’ll admit: some of this involved looking up pictures of models for my characters, and I have no shame in admitting it’s fun to look at the pretty.

But how useful was the act itself? Useful…. but not in a tangible way, not yet. In the past few weeks since my first official writing work day, my brain has settled down and I feel mostly confident that I need to do a very deliberate, very surgical rewrite. I need to make sure each scene is performing on all cylinders and doing the best it can for the overall story and themes. As a result of this, my brain’s been storming all over the place and I’ve been taking notes on things I can feather in, and I used those notes to help with the character sketches today. But sketching is different than actually breaking everything down chapter-by-chapter and making sure everything is operating at peak efficiency, you know?

So what does this mean for next week? I want to fill in what I can for the other secondary and tertiary characters in the novel to make sure I’m not missing something useful or obvious, so I think this character-sketching thing may take at least one more, if not two more weeks. Then it’s on to setting and plot, where I intend to break the book down chapter my chapter and really map it out and make sure it’s working the way I want. By then, I suspect I’ll have all of my feedback from my two readers and will have had ample time to pick their brains.

From there? Surgical rewriting, yo!

I will say, I didn’t get started as early as I wanted today due to early morning errands. That being said, I started around 11:00-11:30, and I found the day moved surprisingly slowly. Not in a “I’m bored!” way, but in a way that just surprised me. I suspect my sense of time will change depending on what I’m doing in the process, and when I get to a phase where I’m actually writing, I suspect if I’m in the groove, I’ll lose all sense of time and will need an alarm to remind me to eat. I’d tell the cat to remind me, but I don’t think he’s very dependable in such matters, unless he’s the one wanting to eat.

Today’s musical accompaniment was the following:

1) Chasing Ice Original Motion Picture Soundtrack by J. Ralph because the music is so very lovely, haunting, a Philip Glass-esque to my ears. Also, the setting is very close to my heart.
2) [Soul] or [System] by Skytown Riot: I picked up this EP at Con Nooga, and I saw them perform a few years ago when they opened for Filter. I’m officially in love with this band.
3) This Is War by Thirty Seconds to Mars because of course.