I Don’t Read as Quickly As I Used To

Once upon a time, when I was but a humble book blogger, I could tear through books like a knife through butter. At the height of my blog, it was nothing to post anywhere from 2-4 book reviews per week, nothing to read 100+ books per year. I miss those days, sometimes, when my free time was spent absorbed in fictional worlds, admiring the craft that made those worlds and the people who populated them so vivid and real.

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New Plan of Attack: Writing Work Days and Beyond!

I haven’t been posting about my writing work days of late. Namely because, in short, I haven’t been writing. I’m not going to list a litany of excuses: I know my mind, I know what’s valid and what isn’t, and I know that some of the time has been spent prepping for actual writing.

But I also have realized that writing one day a week isn’t going to cut it. I need some kind of momentum, even if I’m not writing every day. Today, I came up with a plan of attack:

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To Vote Or Not To Vote: That Is The Question

And I don’t have an answer, not yet. I always wait to buy my membership until I see the nominees, and this year, the question is do I really want to spend $40.00 just to step in a pile of dog shit?

However, as I contemplate that decision, I want to talk about voting “No Award” for the Hugos and how to do it. Last year, I talked about it extensively, and I also linked to a Live Journal post that taught me how to do it, and if you want to know how to vote “No Award” properly and make sure your voice count, then I recommend reading it.

That being said, if you’d like a quick and dirty example of how to vote “No Award,” then let me give you one. I’ll use the Best Novel category, and for the purpose of this example, I will use the assumption that you’re absolutely refusing to give any votes to the books that were on the slated ballots that campaigned their way onto the official one. I should note if you’re really determined to keep any and all dog shit off the ballot, then Deirdre Saoirse Moen has a great post explaining how.

Clear as mud? Here’s an example:

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Star Wars: Building Tension When You Already Know the Ending

Once upon a time, the only science fiction books you’d find in my hands were Star Wars Expanded Universe novels. I adored them. I read them as soon as I could get my grubby little paws on them, whether I used my allowance, or borrowed them from the library, or cashed in my credit at the used book store. I couldn’t get enough of the stories, because I was so enthralled at seeing what happened to Luke, Leia, Han, and everyone else after the defeat of the Empire in Return of the Jedi.

I’m not sure I would’ve been able to articulate the reasons why, but back then, I was never really excited about any stories that took place between the films of the original trilogy. Not that there were many, mind you, but I realize now there was a good reason. Once the trilogy was over (and the prequels were just a distant dream), nobody really wanted to know what happened between the movies. We wanted to know what happened after.

Of course, since then we’ve gotten the prequels. We’ve gotten Expanded Universe novels so far down the timeline that some readers, like myself, got tired of seeing my favorite characters manipulated by the plot into doing things that never felt true to character. And of course, since then, Disney bought Star Wars, announced a new slate of movies, and officially deemed what had been the Expanded Universe as a kind of alternate reality, divorced from any continuity from this point on.

I’m okay with all of this.

Razors_EdgeAround the time this happened, Del Rey had announced a series of books that would focus on individual heroes of the original trilogy and fill in the blanks between the movies called Empire & Rebellion. They also got some big names to write those stories: Martha Wells would write Leia’s,  Star Wars: Razor’s Edge. James S. A. Corey would write Han’s, Honor Among Theives. And lastly, Kevin Hearne would write Luke’s, Heir to the Jedi.

Of those books, Han and Leia’s were dismissed to the “Legends” line — the old Expanded Universe continuity. Luke’s got the official stamp of cannon.

All of this is background, not the point of the post.

I’m almost finished reading Razor’s Edge, which is Leia’s story. I became a fan of Martha Wells’ work when I discovered her Raksura trilogy, so I knew this would be a well-written tale.

And it is. But there’s a problem: there is very little tension. The stakes, such as they are, matter little. And it’s not Martha Wells’ fault.

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Culture Consumption: March 2015

It’s that time again! A very accomplished March, if I do say so myself. 🙂

Books

6) Empire of Dust by Jacey Bedford
7) Pocket Apocalypse by Seanan McGuire
8) Shadow Study by Maria V. Snyder
9) Prudence by Gail Carriger
10) Burn For Me by Ilona Andrews

Short Fiction

1) No Sooner Met by Seanan McGuire
2) Broken Paper Hearts by Seanan McGuire
3) Sun, Stone, Spear by Carrie Vaughn

Comics

Graphic Novels: none

As for individual issues, I read 37 comics, and it would have been fewer had I not started Vertigo’s iZombie series.

Batgirl #40
Batgirl Endgame #1
Black Widow #16
Coffin Hill #16
Descender #1
iZombie #1
iZombie #2
iZombie #3
iZombie #4
iZombie #5
iZombie #6
iZombie #7
iZombie #8
iZombie #9
iZombie #10
iZombie #11
iZombie #12
iZombie #13
iZombie #14
Jem and The Holograms #1
Lazarus #15
Millennium #2
Ms. Marvel #13
Orphan Black #1
S.H.I.E.L.D. #3
Saga #26
Secret Origins #10
Shadow Show #4
Star Wars #3
Star Wars: Darth Vader #2
Star Wars: Darth Vader #3
Star Wars: Princess Leia #1
Star Wars: Princess Leia #2
Supreme Blue Rose #7
The Walking Dead #138
The Walking Dead #139
Wytches #5

Movies

* = repeat viewing

King Arthur *
The Fault in Our Stars
The Running Man
Video Games: The Movie
Young & Beautiful

Television Shows

A note with television: these are the shows I completed in the month of March, not a list of everything on-going that I’m still watching.

Archer Season 5
The Walking Dead Season 5


That’s it from me! Also, feel free to share whatever 2015 stats you’ve got! How many books? How many movies? What were your favorites? Lay them on me!

Cheers!

My Life As A White Trash iZombie

See what I did there?

You may not, if you’re only familiar with Diana Rowland’s book series, starting with My Life as a White Trash Zombie. Or if you’re only familiar with the new show on the CW, iZombie, loosely adapted from the Vertigo comic book series, iZOMBIE.

Or, of course, you may still be clueless, but that’s okay, I’ll explain everything.

wtzb-med
This is the cover to the sequel, which I feel represents the series a tad better than the super-girly pink cover of book one did.

Back when I was still book blogging at Calico Reaction, I ran a book club. Every month, I’d choose a theme and members would vote on books that fit said theme. In August of 2012, the theme was Kick-Assitude, and the book club selection was Diana Rowland’s My Life As A White Trash Zombie. The super-pink cover had originally put me off when the book came out in 2011, but the premise was too good to ignore: a woman who gets turned into a zombie, survives, but has to take a job at the morgue in order to get a steady supply of brains in order to not only stay alive, but look somewhat normal. How cool is that? SUPER COOL. I had a lot of fun reading, and put the sequels on my wishlist for a day I wanted to binge.

Fast forward to now: the CW network just debuted a new show based on a Vertigo comic book series. Female-lead, zombies, humor, looked like fun. But I wanted to read a few reviews before I watched the pilot on Hulu, and here’s what I learned:

A woman gets turned into a zombie, survives, but has to take a job at the morgue in order to get a steady supply of brains in order to stay alive….

….wait, what?

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Promotional image for The CW’s iZombie. Cute, yes?

My first thought was to compare the comic series release date to Rowland’s release date. Both debuted in 2011, so one clearly didn’t copy the other***.

But further digging into the television adaptation revealed this: it’s an adaptation in name only. In the comics, our heroine is a gravedigger.

The brain boggles.

I did some more Googling, but apparently this isn’t a big deal. Sure, there are comments on various sites that talk about the show from people who have read the book and are pointing out the similarities to Rowland’s work, from people who are wondering why they didn’t just adapt her series instead. And I found brief mentions on Rowland’s Facebook that she is aware and that lawyers are involved. Unfortunately, the CW can afford more lawyers than she can.

Now, let’s make one thing clear: I’m not a lawyer and I’m not saying there’s an infringement of copyright. I’m not taking the CW’s side here, mind you. I’m referencing THIS, and it boils down to the fact that ideas can’t be copyrighted, no matter how original they are. There’s also a lot of unknowns here: whether or not Rowland’s book was seen in the writer’s room, whether or not it was obvious they were using it for “inspiration,” whether or not Rowland & Co were shopping the rights and CW was considering the rights and then passed, only to suddenly come out with this show, which on surface appears to be adapted not just from the comic book series of the same name, but also Rowland’s series.

I repeat, there are a LOT of unknowns. This may be more of a Fables vs. Once Upon a Time situation, wherein the concepts are eerily alike at first glance, but ultimately very different in execution, rather than a Gravity vs. Gravity situation, where there is a clear line between sold rights, studios, and how the movie was ultimately produced.

And let’s make another thing clear: the law is WEIRD, and things that seem OBVIOUS aren’t so obvious in court, and verdicts can be frustrating as hell.

So instead of standing on a soapbox and crying that the CW/Rob Thomas have stolen Rowland’s idea — and don’t get me wrong, the similarities, on the surface, make my stomach turn, despite the fact that the genius idea of a zombie working in a morgue is one that I think many people might land on eventually — I’m doing something else.

I’m making sure people in my small spec of the internet are aware.

I’m asking that people who like the idea of zombies working in a morgue to check out Diana Rowland’s work. Because let’s face it, there is CLEAR audience overlap between Rowland’s series and the television show. If you enjoy one, you’re likely going to enjoy the other. I haven’t seen the CW pilot yet, and I suspect I’ll hunker down and do that soon. I may change my mind about the situation: after all, I originally scoffed at the Gravity vs. Gravity situation, because I’d read the book, didn’t care for it, but adored the movie and didn’t see the similarities until they were pointed out to me, until I saw the line from rights sold to the studio to where the final film ended up.

But it just bugs me that so far, no entertainment site has picked up on the similarities. While I’m not entirely sure why I expect them to KNOW, it still irks me to no end. I admit I’m biased, and I’m Team!Rowland, even if this ends up being such a thing where there is no need for teams and both properties can co-exist peacefully and feed off of each other (pun intended) in a good way by boosting each others’ markets.

And that, besides awareness, is the ultimate point of my post. Rowland’s work is fun, so if the below premise sounds entertaining, ignore the all-too-pink cover and give it a go. And then check out the CW series, if only to nitpick the hell out of it. Or vise versa.

wtz_cover_final_med
So. Much. PINK! But seriously, cute cover.

Angel Crawford is a loser.

Living with her alcoholic deadbeat dad in the swamps of southern Louisiana, she’s a high school dropout with a pill habit and a criminal record who’s been fired from more crap jobs than she can count. Now on probation for a felony, it seems that Angel will never pull herself out of the downward spiral her life has taken.

That is, until the day she wakes up in the ER after overdosing on painkillers. Angel remembers being in an horrible car crash, but she doesn’t have a mark on her. To add to the weirdness, she receives an anonymous letter telling her there’s a job waiting for her at the parish morgue–and that it’s an offer she doesn’t dare refuse.

Before she knows it she’s dealing with a huge crush on a certain hunky deputy and a brand new addiction: an overpowering craving for brains. Plus, her morgue is filling up with the victims of a serial killer who decapitates his prey–just when she’s hungriest!

Angel’s going to have to grow up fast if she wants to keep this job and stay in one piece. Because if she doesn’t, she’s dead meat.

Literally.

***Edit: So thanks to some intrepid friends who did more digging than me: the Vertigo comic series, iZOMBIE, actually came out in 2010, practically a full year before Rowland’s My Life As A White Trash Zombie did. Again, I see this as a non-issue and negligible. 1) I don’t contend there’s an issue between the comic series and Rowland’s books. 2) When the comic series debuted, it’s likely Rowland’s book was already at the publisher. 3) Sentient zombies, which both properties feature, isn’t at all the issue for me. Hell, if you want to add sentient zombies, there’s Warm Bodies to throw into the mix. No, my contention is the female lead who’s a sentient zombie AND who works in a morgue in order to get brains, the latter of which isn’t in the comics from what I can tell — but it is in the television adaptation.

Writing Work Day #2

After a rather odd February, March has arrived, which means consecutive Writing Work Days will be had! For a refresher, here was the progress report from last official writing work day, and here’s the last progress report (Con Nooga doesn’t count since I wasn’t actively working on something).

So, a reminder, where am I in my official plan?

3) Use notes and questions to determine what changes need to be made to the current draft of Codename: Telepathic Soulmates. Ultimate goal: reduce word count from 132,000 to around 115,000 words, if possible. Consider:

  • Does it need a total rewrite?
  • Does it need a partial rewrite?
  • A very surgical rewrite?
  • Or just a super-hard final polish?

Deadline: tentatively, Sunday, April 5th. Deadline dependent on what kind of rewrite/polish the draft really needs.

I’d decided that in order to do this, and while waiting on feedback from my two readers, that I would go ahead and sit down and read Karen Wiesner’s First Draft in 30 Days book as a means to narrow my focus on Codename: Telepathic Soulmates, because before I start cranking out revisions, I want to make sure I know what I actually want for the novel. That way, if/when I get conflicting advice from my readers (which has happened long before now), I know what direction to lean towards.

So after some errands this morning, I settled down and did a few things differently:

1) I moved myself into my husband’s office. I thought it would be good to work in a place where I’m not used to messing around on the internet, or where I watch television, or read, or get sleepy. So that was was useful.

2) I usually listen to the Writing Excuses podcast during the week in my car, and this week was no different. However, this week some of the advice (episode 10.9: Where is My Story Coming From?) I wanted to hear again and take notes, so I think in the future, I’ll hold off listening to the podcast and start off my writing work days by listening to it. I know I’ve missed out on REALLY internalizing good advice because I’m not in a position to take notes when I listen, so this should be a positive change.

3) The BIG thing I wanted to do today was start character sketches. Now, mind you, I’ve already written this novel. The idea for character sketches is to make sure I understand at least my main three POV characters and make sure their character arcs through the book MAKE SENSE. Wiesner’s book starts with an introduction and then proceeds to glorify outlines. I’m not sold on that part yet, because I’m more of the Writing Excuses way of thinking, which is that outlining is a spectrum, and most writers do SOME form of outlining, but not necessarily the full-blown, rigid method we all think of when we hear the word “outlining.” But after all of that, the book settled down and talked about character sketches and things to fill in. Fortunately, I’d been informed that Scrivener’s 2.0 version offered these near-exact templates, so I started filling stuff in for my three POV characters. I’ll admit: some of this involved looking up pictures of models for my characters, and I have no shame in admitting it’s fun to look at the pretty.

But how useful was the act itself? Useful…. but not in a tangible way, not yet. In the past few weeks since my first official writing work day, my brain has settled down and I feel mostly confident that I need to do a very deliberate, very surgical rewrite. I need to make sure each scene is performing on all cylinders and doing the best it can for the overall story and themes. As a result of this, my brain’s been storming all over the place and I’ve been taking notes on things I can feather in, and I used those notes to help with the character sketches today. But sketching is different than actually breaking everything down chapter-by-chapter and making sure everything is operating at peak efficiency, you know?

So what does this mean for next week? I want to fill in what I can for the other secondary and tertiary characters in the novel to make sure I’m not missing something useful or obvious, so I think this character-sketching thing may take at least one more, if not two more weeks. Then it’s on to setting and plot, where I intend to break the book down chapter my chapter and really map it out and make sure it’s working the way I want. By then, I suspect I’ll have all of my feedback from my two readers and will have had ample time to pick their brains.

From there? Surgical rewriting, yo!

I will say, I didn’t get started as early as I wanted today due to early morning errands. That being said, I started around 11:00-11:30, and I found the day moved surprisingly slowly. Not in a “I’m bored!” way, but in a way that just surprised me. I suspect my sense of time will change depending on what I’m doing in the process, and when I get to a phase where I’m actually writing, I suspect if I’m in the groove, I’ll lose all sense of time and will need an alarm to remind me to eat. I’d tell the cat to remind me, but I don’t think he’s very dependable in such matters, unless he’s the one wanting to eat.

Today’s musical accompaniment was the following:

1) Chasing Ice Original Motion Picture Soundtrack by J. Ralph because the music is so very lovely, haunting, a Philip Glass-esque to my ears. Also, the setting is very close to my heart.
2) [Soul] or [System] by Skytown Riot: I picked up this EP at Con Nooga, and I saw them perform a few years ago when they opened for Filter. I’m officially in love with this band.
3) This Is War by Thirty Seconds to Mars because of course.

Culture Consumption: February 2015

It’s that time again! I would’ve posted these earlier, but I had a super-busy weekend and would’ve forgotten if I hadn’t seen other friends posting their own month-end reading lists. So, here we go for February!

Books

I know, I know… I did horribly this month. That’s okay though. It happens.

5) The Galaxy Game by Karen Lord

Short Fiction

None in February

Comics

1) Fairest In All The Land by Bill Willingham (graphic novel)

As for individual issues, I read 39 comics and finally caught up on my TBR pile. WOOT! Now let’s keep it that way.

American Vampire: Second Cycle #6
Batgirl #38
Batgirl #39
Black Widow #14
Black Widow #15
Coffin Hill #15
Copperhead #5
Fairest #30
Fairest #31
Fairest #32
Fairest #33
Harley Quinn: Valentine’s Day Special #1
Lazarus #14
Millennium #1
Ms. Marvel #11
Ms. Marvel #12
Nameless #1
S.H.I.E.L.D. #1
S.H.I.E.L.D. #2
Saga #25
Sex Criminals #10
Shadow Show #2
Shadow Show #3
Sleepy Hollow #4
Star Wars #1
Star Wars #2
Star Wars: Darth Vader #1
Supreme Blue Rose #6
The Dying and the Dead #1
The Unwritten: Apocalypse #10
The Unwritten: Apocalypse #11
The Unwritten: Apocalypse #12
The Walking Dead #136
The Walking Dead #137
Thor #2
Thor #3
Thor #4
Thor #5
Wytches #4

Movies

* = repeat viewing

Birdman
Her
Joe
Salinger
The Babadook
The Princess Bride *
The Theory of Everything
Whiplash

Television Shows

A note with television: these are the shows I completed in the month of February, not a list of everything on-going that I’m still watching.

A to Z Season 1
Agent Carter Season 1
Constantine Season 1
Parks & Recreation Season 7
Sleepy Hollow Season 2
The Americans Season 2


That’s it from me! Also, feel free to share whatever 2015 stats you’ve got! How many books? How many movies? What were your favorites? Lay them on me!

Cheers!

Con Nooga 2015

This past weekend I attended what I consider my very first convention. If you wanted to me REALLY technical, Con Nooga wasn’t my first: I attended Wizard World Chicago back in 2003, but that was a comic con before comic cons got taken over by television and film. Then in 2006, I attended less than 12 hours of Context in Columbus, Ohio: I wanted to meet Gary Braunbeck and take his workshop, and I also got to meet Catherynne M. Valente and get an autographed copy of Labyrinth.

But in terms of attending a full con and going to panels? Con Nooga was my first. And it was a good, safe con to have as my first: not overwhelming, but more than enough to teach me what I need to do and/or pack for my next convention. I’m already eyeing DragonCon in Atlanta this year. Cherie Priest! Carrie Vaughn! YAY!

So what did I learn? How was Con Nooga? Did I get to meet the magical Seanan McGuire? Talk to the legendary Timothy Zahn? Read on to find out!

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Getting Into the Write Frame of Mind

Because last week wasn’t a set of four 10-hour days capped with a Writing Workday, it didn’t really occur to me until now that a progress report is due. I will say that anyone who’s wanting to follow 2015 progress can simply use the Progress Report tag to get the most recent report, or if you just want to hear whatever my rambling thoughts are on writing, especially if I change THE OFFICIAL PLAN, you can use the Writing tag to get the most up-to-date posts on that subject too.

So, for those of you keep track of my progress based on the Official Plan page, I completed items #1 and #2 on time. I’m now in #3:

Use notes and questions to determine what changes need to be made to the current draft of Codename: Telepathic Soulmates. Ultimate goal: reduce word count from 132,000 to around 115,000 words, if possible. Consider:

  • Does it need a total rewrite?
  • Does it need a partial rewrite?
  • A very surgical rewrite?
  • Or just a super-hard final polish?

Deadline: tentatively, Sunday, April 5th. Deadline dependent on what kind of rewrite/polish the draft really needs.

In looking at my goals from this point on, it’s occurred to me that I’ve gotten a little vague. How long am I taking to decide what this book needs? How long am I allowing for writing/rewrite? I can’t determine the latter until I determine the former, and the latter will then determine when I can start item #4.

So the question is this: how am I going to accomplish item #3?

If you’re reading this via email digest or on the main page, I’m putting a cut here, because I have a lot to talk about. If you’re interested, onward! Continue reading