Music Monday: Lindsey Stirling featuring Lzzy Hale, “Shatter Me”

This song was a two-part discovery for me. The first part involves Lzzy Hale: I’ve been a fan of her band, Halestorm, for a few years now and had the pleasure of seeing them rock out in concert last year. But this song isn’t Halestorm: it’s techno-violinist Lindsey Stirling, and this song combines Stirling’s awesome sound (her debut album is pretty much all instrumental, but it’s freaking awesome and fascinating to listen to) with Lzzy Hale’s rocker power. It’s a song I’ll put on repeat and listen to for hours, and the video itself is actually pretty fascinating as well.

Enjoy!

Like it? Love it? Hate it? Sound off below!

Reminder: Music Monday is about the music, not the videos. Videos are just the medium I’m using to share the music, and some videos aren’t actually videos at all. Enjoy the songs, but if YouTube forces you to watch some sort of advertisement before you can get to the music, please be patient.

Fiction Friday: The Color of Paradox by A.M. Dellamonica

So I can’t promise this will be every week, but if I have something I want to share, this is where I’ll share it. I’ll try to focus on free fiction, so that if you’re interested, you can click a link and read it for yourself.

For the inaugural Fiction Friday, I bring you “The Color of Paradox” by A.M. Dellamonica, a short story published at Tor.com. For those of you familiar with Connie Willis’ time-traveling novels, you’ll appreciate this story even more, but regardless of one little shout-out, this is a great story that demands more. So much more. I WANT MORE.

Click here to read THE COLOR OF PARADOX for free

full_colorofparadox
Illustration by Jeffrey Alan Love

“The Color of Paradox,” by A.M. Dellamonica, is a science fiction story about one of a series of time travelers sent back to the past in order to buy more time for the human race, which in the future is on the verge of extinction.

Like it? Love it? Hate it? Sound off below!

On the Hugos and Voting No Award

I’ve been meaning to post about this year’s Hugo slate for quite some time, but haven’t been arsed enough to do so. Oh, there’s plenty of controversy this year, but most of it’s been covered by far more articulate voices than mine, and there’s nothing new I can contribute.

However, I did want to add my perspective on the actual voting process and talk about what I’ve done in the past, what I’m doing this year, why, and explain why the “no award” option finally makes sense to me.

This is my third year voting in the Hugos. And despite whichever controversies shadow the award every year, it’s always been a really interesting experience. The Hugos expose me to fiction I wouldn’t otherwise be reading, specifically in the short fiction categories. I should note here that my goal, each and every year, is to read every fiction category, including the Campbell Award, and vote accordingly. I vote in other categories too, if I have time, but the fiction gets my priority.

In the past, I’d start with the short stories, work my way through novelettes, then novellas, then bump down to the Campbell Award (which is usually a mix of novels and short fiction) before tackling the novel award. And I’d always wait until the last minute to actually vote, despite making notes and ranking the nominees on paper as I went. And I’d usually start mid-June, early July. In the past, I could get away with that because I was a fast reader, but this year has changed that considerably, so I decided to get an early start.

And since I got that early start, I decided to update my ballot as I complete a category. Don’t get me wrong, I’ll still review my selections before submitting the final ballot right before the deadline, but if something happens and I can’t submit the final ballot, at least my selections will still be counted, because I voted as I read. Better still, this means each nominated work is still fresh on my mind, which is a good thing.

Right now, I’m working on the Campbell. I should be worried about Best Novel but I’d decided long before Orbit said they were only providing excerpts that there was NO FREAKING WAY I’d be able to read the whole Wheel of Time series, no matter what Tor was offering in the packet, so I knew I’d be reading excerpts regardless (thank goodness for Tor’s Wheel of Time refresher: that’s going to be HUGELY helpful). And that seems fair: if three of the five nominated books are only providing excerpts in the voter’s packet, then all of the books will be considered by excerpt only. And the good news is this: if the excerpt grabs me, I’ll keep reading, even if I have to go buy the book, and that only works in the nominated book’s favor, right?

But I want to step back a bit and talk about the one thing about the Hugos that’s always baffled me a bit: the option to select “No Award” on the ballot. And I’ll admit to still being a wee bit confused in that regard, because I figure once you select “No Award” as a ranked option, then you shouldn’t be able to rank anything else that comes after, even if you still have slots left. But!!!! I finally understand the point of the award, and that point is this:

If the nominated work is something that you don’t believe belongs on the ballot, if you would rather see nobody win the category instead of said nominated work win, then you vote “No Award.”

And there’s more to it than that, IMHO: in my case, I’m asking myself, “Did I nominate something in this category that’s BETTER than this nominated thing I’m reading right now?” If I feel I can find better fiction in a SF/F writer’s workshop full of unpublished manuscripts, then it stands to reason I should select “No Award” over said nominated works. If I’m reading something and wondering how in the hell it got nominated, then I should select “No Award.” I shouldn’t rank the nominated work in question just because it’s on the ballot, nor should I just rank my top two or three picks and not rank the rest.

To me, “No Award” means that if my picks were thrown out the window, I’d rather the award went to no one than the remaining nominee(s).

And trust me, outside of “Best Novel,” where I’ll base my vote on excerpts, I’m reading everything.

I don’t believe in using “No Award” because you aren’t familiar enough with the category or because you can’t be arsed to give the category a fair share. If you’re not versed in the category (say a book reader who never watches movies or television, or maybe only watches Doctor Who and doesn’t give the non-Who nominees consideration because they don’t watch those shows), don’t vote. Don’t select “No Award,” but skip the category. Simple and easy, and I’ve done it before.

That being said, if you genuinely believe the category itself should be abolished, regardless of the quality of the nominees, choosing “No Award” is perfectly valid.

Selecting “No Award” is a statement. In a perfect world, we’d read every word of every nominee before selecting that as an option, but not everyone believes they should have to do that, and that’s their prerogative. Of course, in a perfect world, we wouldn’t even need “No Award” as an option, because it’d be an embarrassment of riches when it comes to the nominees and we’d be happy no matter who wins.

It’s not a perfect world.

So if you’re going to vote “No Award,” then that’s fine. But do it wisely. And make sure you read this utterly fantastic and funny post on how voting “No Award” really works: in other words, once you vote “No Award,” do not rank ANYTHING after it, otherwise it might inadvertently get your vote. Which is weird, when you think about it, but it is what it is, so if you’re going to vote “No Award,” do it right.

And for a less entertaining but more official explanation of how voting and ranking works, click here.

It’ll be interesting to see who wins the Hugos this year.

Remembering Calico Reaction: 2005-2013

On May 24th of last year, I closed my book blog. It was both a sad and liberating day. Sad, because there was a part of me that really, really wanted to hit the ten-year mark, and liberating because I was so burdened by the responsibilities I’d placed on myself, my reading, and my blog that I just wasn’t happy doing it any more. I don’t regret that decision, and I even miss those book-blogging days. However, as book blogging and fandom evolves, I’m glad I’m out.

Last week, Nancy from Picking Up the Pen reached out and asked if I followed Tor.com’s Rocket Talk Podcast. I explained I did not, and she went on to tell me she was listening to the most recent episode on Gender Parity in the SFF Community and said that I was mentioned. Well, not me, but rather Calico Reaction.

I was flabbergasted, because it’s been a year since I’ve posted under that name, so I promptly downloaded the podcast to get the context and figure out why my blog–one that didn’t garner many nominations when the Hugos came around–was suddenly popping up on someone else’s radar.

The segment is about 45 minutes in, but I recommend listening to the whole podcast for the proper context. Gender parity in the SFF Community boils down to the annual Coverage of Women on SFF Blogs study that Renay @ Lady Business has been spearheading. It’s a great project, and it’s worth listening to the podcast and browsing through the studies to really get a sense of what’s being talked about and why, especially if you’re a blogger/reviewer in the SF/F community.

I won’t rehash the details, but I’ll say this: it’s nice to be remembered. More importantly, it’s nice to be remembered for something that I didn’t initially strive to do, which was feature mostly books written by women in my blog. But while I didn’t originally intend to become a showcase for women authors, it ended up happening anyway, because I wanted to have a firm grasp on the female voices writing in the genre I hope to one day debut in.

So here’s to Calico Reaction (the blog, not me) and whatever good it did for audiences it served. I was very lucky to have been able to blog for as long as I did, and I still consider myself incredibly lucky that it developed such an intelligent, engaging, and energetic following. I give many thanks to those who read it, those who helped me shape it, and to those who remember it even today.

Music Monday: Meg Myers, “Adelaide”

So for the first Music Monday, I present Meg Myers. I discovered her music back in February thanks to John Scalzi, and lately, I’ve been on a kick (though her song titled, “Tennessee” is the weirdest song I’ve ever heard about my state and I don’t know if I love it or hate it). I listened to her music all weekend, so I thought I’d share the one song in particular that I couldn’t get out of my head.

Enjoy!

Like it? Love it? Hate it? Sound off below!

Reminder: Music Monday is about the music, not the videos. Videos are just the medium I’m using to share the music, and some videos aren’t actually videos at all. Enjoy the songs, but if YouTube forces you to watch some sort of advertisement before you can get to the music, please be patient.

Introducing Music Monday

So I’ve had a hankering to do a weekly feature here at Calico In Transition. Something short and sweet, something that says a little bit about me, something that varies week to week. Of course, my introducing a weekly feature comes with the caveat that it could end at any time, or I could forget, or any of the above, but it’s the kind of thing that I can schedule, and I’m all down with scheduling.

And despite no longer running a book blog, I still talk a lot about books here. Books, comics, television, and movies. The only thing I don’t really talk about is music, which is somewhat ironic since I was a music major back in college. I had ask myself why that is, and part of it’s because my musical tastes are rather varied and a little weird, and I’m always worried about people freaking out when they hear what I listen to. Fun fact: if I have people in the car with me, I rarely have music on.

But given all of that, I think it’d be fun and harmless to share, on a weekly basis, some of the songs that are getting stuck in my head, or perhaps some old favorites. I recognize my musical tastes aren’t as diverse as some people’s, but they’re interesting, and I’m hoping that no matter what your musical tastes are, that you might discover something new to listen to.

With that in mind, tomorrow starts Music Monday. When you get these posts, feel free to kick back and listen while you’re doing your other internet things, and feel free to comment to let me know how you liked the song. Like I said before, I can’t guarantee I’ll post something EVERY Monday, but I’ll sure try, and you’re welcome to remind me to do so if I miss one.

Ready? Let’s do this!

In a World Just Right….

You know what’s exciting? Book deals. Book deals are awesomely exciting. And no, I don’t have one, but I have the next best thing: my friend and critique partner Jen Brooks‘ debut novel, In a World Just Right is coming out next year, and there’s a cover and a giveaway too! You’ll forgive me for gushing a bit, won’t you?

First, the cover:

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Culture Consumption: May 2014

It’s that time again! Amazing how fast the time flies, but once more, it’s time for another Culture Consumption. As always, I’ll post a list of what I’ve read/watched over the past month, and in some cases, provide some commentary. If there’s anything you’re interested in or curious about, don’t hesitate to ask me in the comments, and I’ll be happy to talk further!

May was a better month than April, when it comes to reading. Granted, it still sucks in comparison to my old productivity, but given all the stuff on my plate, I’ll take it. A head’s up: June will likely be filled with a lot of Hugo-nominated works, as the Hugo Voter’s Packet is now available and given how slowly I’m getting around to things lately, I’m gonna have to get some reading done. 🙂 But I’m happy enough for May’s results, especially on the television side of things, I finally finished watching Breaking Bad and True Detective, so let’s dig in!

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